Jonathan Dove’s comic opera is based on a true story about a refugee who lived, trapped at an international airport. Full set projection was used to build tension throughout the acts and to support the unfolding drama.
“…subtle video effects create the weather conditions…”
Mark Pullinger, Bachtrack
“Andrew Riley’s set was simple yet elegant in shades of grey, Stephen Barlow made wonderful use of the three lifts which punctuated the stage. Onto the grey back-drop were projected Jack Henry James video designs to evoke the storm and other moments.”
Robert Hugill, OperaToday.com